Furthermore you can easily edit all taps to create your own room responses, resonant combs, Karplus-like tuned delay lines, Chorus, Flanging, Vibrato and much more. Team R2R Ap 4. We extended this technique by making the Echo tap recirculating with the Diffusion section, allowing longer reverb tails. That idea is so simple yet powerful: you mix a bunch of unmodulated taps (Early Reflections) with the remaining modulated taps (Diffusion) to create a cheap but convincing reverb.
Most manufacturers were already exploiting chains of comb and allpass filters (smoother reverbs, but expensive in both resources and chips), there were other techniques involving the use of a single multitap delay line to create a reasonable reverb while keeping the cost affordable. When hardware digital reverbs came out to the market they were really expensive. We'd recommend it to anyone working in creative sound design.Polaris is an echo/reverb plugin inspired by early hardware digital reverbs of the late 1970s and able to provide echo, ambience and reverb out of a single multitap delay line. Polaris is an impressive plugin that probably won't become your main reverb, but will almost certainly complement those that you have already. The included presets do a good job of showing off its wild side, although it's very easy to program. While it won't provide a super- classy vocal reverb, and sounds utterly unconvincing on anything with distinct transients, it excels at creative and out-of-this world spatial effects. Audiority add new ‘Shimmer’ effect to updated Polaris Reverb Plugin Audiority updates Polaris echo/reverb plugin to v1.1 bringing some creative new features alongside the usual bug fixes. The sound of Polaris is decidedly artificial, but that's clearly the point, it being based on late 70s technology. Further controls let you tweak the speed and depth of pitch modulation.
You can even turn down the diffused delays to transform the effect from a washy reverb into an overt delay effect. Then there's Polaris' Shimmer function, which adds a one-octave pitch shift into the delay loop, resulting in… well, 'shimmering' delay sounds reminiscent of the works of Brian Eno, Daniel Lanois and other classic ambient soundscapes.įinally, the Echo section effectively serves to extend the tail of the diffusion delays, with repetitions in milliseconds, synced beats or notes (C0 to B4). With Polaris I have 30 presets with a few dedicated to Echo and the rest Reverb which allows me to test some pretty dynamic effects without getting lost in hundreds of possibilities, but I have a wide enough range of sound so I can get close to something I want and then start fine tuning. The Diffusion section comprises just a volume control, but again, the magnifying glass icon leads to a page in which you can individually adjust the timings of the 16 modulated delays - including the same convenient Randomise and reset buttons.
Yet more control is added with the a Randomise button that scrambles the individual ER times. Audiority has relased Space Station UM-282, a faithful simulation of the Ursa Major Space Station SST-282, an early 80s echo and reverb unit.
#Audiority polaris review plus
The main interface has volume controls for each pair of the eight early reflection taps, coupled to be spread evenly between the left and right channels using the Width knob plus an overall ER Mix knob.Ĭlicking the magnifying glass icon in the Early Reflections section opens the Early Reflections editor, where you can manually adjust the timing of each ER tap. More of a sound-design and special FX verb, Polaris successfully combines retro soul with modern functionality, at a reasonable price. Next in the signal path is a sample rate reducer, intended to help you achieve the crunchiness of a vintage reverb, although the results are actually much brighter than the classic lo-fi digital effects you might expect. Audiority Polaris review A70s inspired reverb delay with plenty more up its sleeve 45 By Computer Music published 7 September 16. While rudimentary, these are very helpful for shaping the sound of the resulting reverb tail. As we've come to expect from any modern reverb, Polaris sports high and low shelving filters at the input stage, although these are at fixed frequencies of 2kHz and 300Hz.
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